Julia Ibbini proclaims to be an artist and sculptor who "explores pattern and ornament through geometry, algorithms, and digital fabrication".
There is an intricacy to the cut paper and wood work which retains the delicacy of lace, a movement that flows like nature, a rigidity that builds architecturally, and an essence that pays tribute to the decorative arts of islamic culture.
There is something about the melding of history and modernity via a meeting of ancient design patterns and modern technological application that is incredibly compelling, and we really can't wait to see more.
Sometimes while I'm scrolling through the immense amount of impressive interiors on instagram, I find myself pairing our rugs with a space. In this bedroom by Alma Intérieurs of France, the geometric choices and color ways immediately made me think of design #7227 from our Kouhi Woven Collection. While the design is more rigid than the curvilinear vibe of the headboard area, there's something about the two that yearn for each other.
What are your thoughts on this pairing? Yay or Nay?
Described in Virginia Jacobs own words, the quilted sphere is “a distillation of the continuity and indefatigability of the spirit of folk music, dance and costume.”
"Krakow Kabuki Waltz" (1987)
Virginia Jacobs is best known for exploring the sculptural possibilities of the quilt while incorporating the colorful exuberance of the textile arts of many cultures into her work. By playing with form and dimensionality, her work confounds expectations.
Of course we love on any kind of woven art - weaving is kind of our thing. So finding these shag art carpets by Kahove was pretty exciting. Taking classic art pieces, like the Mona Lisa and Starry Night, and turning them into shag carpets Kahove breathes new and exciting life into them. What do you think, would you put one in your home?
There are so many ways to communicate ideas through fiber arts, and embroidery is one form that we tend to think of as a tradition lost in time. We connect these strings of thought to a period where girls were taught to do needlework as a right of passage; we immediately think of cross-stitching and flowers. But, in the modern world many women have owned this craft and experimented with various and unique ways of expressing themselves through thread.
What we love most about Stacey's work is her incredible use of color and composition. Her skilled execution of stitches and layering are also impressive. We never get bored looking at her page, as her style always seems to be evolving - going through a variety of applications of her medium; from geometric to free flowing, abstract to natural, and sometimes scientific and cellular.
Han's playful experimentation of medium and imagery is grossly appealing. The way she embellishes photos, postcards, stamps, and natural elements weaving together concept and form is uniquely fascinating.
Is there something familiar about her work? Absolutely. Knie states, "I’ve been embroidering viruses for over 8 years now", and with the impact that Covid-19 has had in the world, this seems more contextual now than ever before. Her love of science and space are apparent in her work, and we love the way her stitches preserves microscopic views.
If texture is your thing, Hughes nails it. Her use of a variety of threads and yarns, each with their own unique properties, combine in 3 dimensional application for a finished product that is bursting with color and personality. There's something abstractly floral about her work, which bursts off the hoop like a beautiful bouquet.
Bennings' pictorial embroidery has an illustrative quality to it that is so graphic in nature, we would love to see it in book format (an embroidered book). Her focus seems to be plant life, but she also captures landscapes and personal human moments in time (such as reading a good book or mixing a drink).
We just love how Wilde's work transports us to the ocean, with textures and 3 dimensional applications that are so realistic that we can't help but hear the lapping of the waves on the sand. Her color selections are very natural and soothing - adding to the connection of environment and application.
Reinterpreting the tattoo art paintings of her daughter (@gan_dalf) into embroidery so accurately, you almost see it in ink. Besides appreciating the skill of her craft, we love to see a great mother daughter collaboration.
Natalie's work falls into two main categories for us. There's the embroidery on paper using basic lines and geometry, and including natural materials, that has a clean and simple yet powerful appeal. And then there's the dissection of color in imagery, sometimes skewing photos with a time warp reminiscent effect.
Emily's embroidery inspired by natural textures often brings us to the ocean floor or on a study of geological forms, but there's an abstract quality to the layers she creates which is almost cellular in essence - bringing our thoughts to the base elements of nature's structure.
This month we are excited to introduce some new arrivals in the way of our Four Corners collection.
The Four Corners Collection of flatwoven rugs are inspired by the designs and methods of traditional American Navajo weavings. While some of our designs are directly based off of antiques from the inventory of our sister company, Antique Rug Studio, others are an abstraction of the style.
